Choosing a printer for your artwork comes down to three numbers: how big it can print, what ink it uses, and what each print costs you to make. The best wide format printers for art prints in 2026 cover the range from a 13 x 19 inch desktop fine art machine to 44 inch roll-fed studio printers, and the right answer depends far more on the size of the work you actually make than on any spec sheet.
We spent weeks reading owner feedback, spec sheets, and forum threads on this category, and the pattern was clear. Buyers do not regret the printer they bought for output quality. They regret the one that could not feed their paper, could not go borderless, or turned every 13 x 19 print into an expensive argument. Ink cost per print is the first thing people ask about and the last thing most spec sheets explain.
That is why this roundup is organized around your artwork first and the hardware second. Each of the six printers below gets a plain-language verdict on paper handling, ink system, and the sizes it can reach. We also broke down the size classes, because the jump from 13 x 19 to 17 x 22 to 24 x 36 is the single decision that reshapes everything else. If you run a print business rather than print your own work, our wide format printer guide for print shops covers the throughput side of the same question.
Table of Contents
Top 3 Wide Format Printers for Art Prints in 2026
Epson EcoTank ET-15000
- 13 x 19 wide format
- Refillable EcoTank tanks
- All-in-one scan copy fax
Two refillable-tank Epson models take the top spots here because running cost dominates every other variable once you print regularly. The Canon models that follow handle larger sizes and finer pigment color, and they are the right call if your work is gallery-bound rather than edition-printing.
Best Wide Format Printers for Art Prints (October 2026)
| Product | Specifications | Action |
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| Epson EcoTank ET-15000 |
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 Canon PRO-2100 |
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 Canon imagePROGRAF PRO-310 |
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 Canon imagePROGRAF PRO-4100 |
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| Epson Artisan 1430 |
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 Epson EcoTank ET-8550 |
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One note on the table above: the two Canon roll printers take media continuously, while the four consumer machines take sheets. That single difference changes what you can hang on a wall more than resolution does.
1. Epson EcoTank ET-15000: Best Overall Wide Format Printer for Art Prints
Epson EcoTank ET-15000 Wireless All-in-One Wide-Format Supertank Printer
- Very low ink cost per page from refillable tanks
- Handles heavier stock and canvas sheets cleanly
- 250-sheet capacity with two trays
- Auto duplex and document feeder for day-to-day work
- Four-color ink set is weaker for fine art than six-color models
- 13 x 19 sheets load into a rear holder rather than a tray
- Some machines arrive with ink lines that fail to prime
The ET-15000 is the printer we keep coming back to, and the reason is simple economics. Refillable tanks mean the cost of a large print is driven by paper and time instead of by ink cartridges, and that changes the economics of selling prints at a small volume. It handles stock up to 13 x 19 inches, which covers the most common framing sizes in the hobby and small-studio market.
It is also the only printer in this roundup that treats art as one job among several. You get a flatbed scanner, a sheetfed automatic document feeder, a copier, a fax, and automatic duplex. For an artist who also handles paperwork, invoices, and reference scans, that consolidation is worth more than a second dedicated machine would be.
Color is where you trade away something. This is a four-ink tank machine, and reviewers consistently note that its output is vibrant and saturated for documents, posters, and canvas craft work, but noticeably short of what a six-color photo printer does with skin tones and subtle gradients. If your work is illustrative, high-contrast, or built on flat shapes of color, that is a trade most artists make willingly. If your work is portrait photography with smooth tonal transitions, keep reading.
Paper handling is genuinely good for the class. Owners report it feeding heavier stock and canvas sheets without drama, and the two trays hold a useful 250 sheets between them. The catch is that 13 x 19 paper goes into a rear manual holder rather than a proper tray, so wide sheets are a deliberate, hands-on load rather than a quick swap. For occasional large work that is fine. For a daily routine of wide prints it adds friction.
What the ET-15000 does well for artists
Its strongest argument is running cost, and the gap versus cartridge machines is large enough to dominate every other consideration once you print regularly. The tanks are refillable with bottles, so a heavy month of printing does not translate into a stack of replacement cartridges. Owners doing booklets, stickers, canvas, and everyday documents report very few problems at all, and the 4.2 star average across more than 2500 reviews reflects that.
It is also the most forgiving machine here about mixed workloads. Print a 13 x 19 canvas, scan an original, fax a signed form, and it all comes out of one box with one ink supply. If your art practice also includes teaching, client work, or print fulfillment, that breadth is hard to overstate.
Where the ET-15000 falls short
The four-ink set is the real limit. Six-color machines add light cyan and light magenta, and those two inks are what let a printer render smooth skin tones and subtle gradients without visible banding. If you sell photographic prints or portrait work, this is the reason to step up rather than a minor quibble.
A smaller share of owners report paper jams, and some mention that support was unhelpful when a machine arrived with ink lines that would not prime. Automatic duplex also only covers standard sizes, so wide two-sided work is manual. Check the fault pattern against your own workflow before committing.
2. Canon PRO-2100: Best 24-Inch Wide Format Printer for Art Prints
- Accurate color out of the box on fine art papers
- 24 inch width handles gallery prints and long canvas
- Roll loading is easy to operate
- No separate RIP software required
- Dialing in color takes patience with many settings
- Ink refills get costly at high volume
- Arrives with small starter cartridges
The PRO-2100 is the first machine here that can print an actual 24 inch wide image, which is the size most people mean when they ask about large art prints. It does so from a roll up to 24 x 59 inches, with a built-in roll unit and rotary cutter in the box. There is no separate RIP software to license, so you print straight from your image editor and the printer’s own panel handles the rest.
Color is the reason to choose it. Eleven ink colors plus a Chroma Optimizer is one of the finest pigment setups in this roundup, and owners describe accurate color out of the box with rich, deep blacks on fine art papers. The 4.8 star average is the highest in the list, and the rating distribution skews heavily to five stars, with 89 percent of ratings there.
Print speed is a genuine strength for its size class. A first page in around 98 seconds and 30 pages per minute in black and white mean a 24 inch print is a short wait rather than an afternoon. The operator touchscreen guides you through startup, software setup, and roll changes, which matters more than it sounds the first time you load media alone in a studio.
What you are paying for with that capability is ink expense. The eleven-ink system is designed for gallery accuracy, and refill costs reflect that. Owners running high volumes at home report that ink is the recurring complaint by a wide margin, even while most of them say the result is worth it. The printer also arrives with small starter cartridges rather than full-size ones, so budget for that immediately.
What the PRO-2100 does well for artists
It solves the size problem. If you paint or photograph at 24 x 36 and want a borderless print of your own composition, no 13 x 19 machine in this roundup can do it. The roll path also means you can run long panoramic pieces, which is a genuine advantage for installation work and triptychs.
The fine art pigment set gives you blacks with real density and a broad color gamut for a desktop unit. Owners in photography and small studios report consistent results across glossy, matte, and fine art stocks, and the machine is a print-only device, which keeps it focused and compact for what it does.
Where the PRO-2100 falls short
Matching color to a calibrated screen takes real effort. The number of settings involved means you should expect a period of test prints and paper profiles before output is trustworthy, and the layout and print software has a learning curve for anyone who has only used a consumer photo printer.
It is also USB-connected rather than wireless, so it wants a direct cable to a computer. Ink refill cost is the other honest limitation, and for someone printing a handful of large pieces a year it will not matter. For someone printing weekly, it will.
3. Canon imagePROGRAF PRO-310: Best 13×19 Fine Art Printer
Canon imagePROGRAF PRO-310 Professional 13″ Wireless Inkjet Photo Printer, 3″ Color LCD, 9 Color Pigment Ink, Black
- Sharp detail and smooth gradients on glossy and fine art papers
- Excellent black-and-white output with deep blacks
- Rear manual feed handles heavy fine art paper
- Stable Wi-Fi after straightforward setup
- Ink cost is high relative to the ink used
- Print speed is slow
- Third-party media profiles need manual setup
The PRO-310 is the 13 x 19 answer for artists who care about color more than speed. Its nine-color pigment set with Chroma Optimizer sits in the same family as the ink technology in the larger Canon machines, and owners upgrading from earlier consumer models report a visible jump in both color and sharpness. That is the single most common theme in the reviews.
It is one of only a few desktop-width printers here with a proper rear manual feed for heavy fine art media. That matters more than the spec sheet suggests, because the paper people want to print on, rag and watercolor stock in the 250 to 300 gsm range, is heavier than what a plain sheet tray will reliably take. Reviewers specifically call out the rear feed handling heavier fine art paper without trouble.
Black and white is a strength here. Owners report strong, deep blacks and excellent monochrome output, which is where the Matte Black ink earns its place by raising black density and widening the range of dark area it can hold. For anyone who prints a serious black and white edition alongside color work, that is a capability the four-ink tank machines cannot match.
Custom sizing is unusually flexible. Alongside standard photo sizes, Letter, Legal, 11 x 17, and 13 x 19, the driver supports custom sizes up to 13 x 129 inches and panorama formats. For an artist working in unusual proportions, that removes a lot of resizing compromises from the workflow.
What the PRO-310 does well for artists
Fine art paper handling and tonal range are the standouts. Reviewers report smooth gradients across glossy, luster, metallic, and fine art papers, and borderless 13 x 19 output that matches a calibrated screen closely once set up. The 3.0 inch color LCD makes ink level and status checks quick, which is a small thing you notice every week.
It is also the rare desktop wide format printer with stable wireless built in. Setup is straightforward and the connection has held up in owner reports, and ink levels hold up well even with mixed 13 x 19 and smaller printing. Anti-Clogging technology and automatic skew correction reduce the maintenance burden that usually comes with pigment printers.
Where the PRO-310 falls short
Print speed is slow, and reviewers name it as a production limit. This is a machine for making a considered print, not for filling a queue. Ink cost is also high relative to the amount of ink consumed, which is the trade you make for the nine-color set.
Software friction is the other recurring theme. Driver software limits custom paper sizes compared with older models, and third-party media profiles require manual configuration inside Canon software. A smaller group reports paper feed problems with heavier card stock and an awkward, slow cartridge replacement procedure.
4. Canon imagePROGRAF PRO-4100: Best Printer for 44-Inch Art
Canon imagePROGRAF PRO-4100 11-Color 44″ Large Format Inkjet Printer
- 44 inch width supports banner and panoramic art prints
- Integrated sensor keeps color consistent automatically
- 700ml tanks extend volume between refills
- L-COA PRO engine handles large files quickly
- Very large footprint and heavy weight
- Print-only with no scanner or copier
- Sub-ink tank and 44 inch format limit casual home use
The PRO-4100 is the only printer here that can produce exhibition-scale work, and at 44 inches wide it covers everything from gallery panels to panoramic banners in a single pass. For artists exhibiting large work or producing a consistent edition at that size, the alternative is outsourcing, and the comparison is the entire point of this section.
Quality is a real step up. A 12-channel integrated print head with 18,432 nozzles and resolution up to 2400 x 1200 dpi gives the fine detail that large prints expose. Large images magnify every flaw, so the resolution and nozzle count matter far more here than on a 13 x 19 sheet. Owners report vivid color and fine detail as the defining features of the output.
What separates it from cheaper large-format machines is the integrated color density sensor, which calibrates color automatically and keeps reproduction consistent between prints and between media changes. On a machine that runs through large rolls of different papers, that consistency is the difference between a series that looks coherent on a wall and a series that does not.
What the PRO-4100 does well for artists
Volume and size. Twelve individual pigment ink tanks in 160ml, 330ml, and 700ml capacities mean a studio doing serious print runs can fit the largest tanks and go far longer between refills. The L-COA PRO image processing engine speeds up handling of large files, and initial page print time is around 149 seconds.
It includes the full roll system, roll holder set, print head, maintenance cartridge, and rotary cutter, with USB 2.0, Gigabit Ethernet, and WiFi. The 4.4 star average comes with 79 percent of ratings at five stars, and owners in this class are typically print studios and signage operations that prioritize tank capacity and roll handling over scanning features.
Where the PRO-4100 falls short
Space and weight. At 345 pounds and 68.5 inches wide, it needs a dedicated room and a sturdy table, not a corner of an office. Plan the footprint before you buy, not after.
It is print-only, with no scanner or copier functions, and the sub-ink tank system plus 44 inch media format limit casual home use. The 30-review sample is modest, so ratings reflect a narrower user base than the consumer models here. If you are still deciding whether you need this size, read our wide format printer comparison for print shops first and compare throughput requirements honestly.
5. Epson Artisan 1430: Best Value 13×19 Printer with a Scanner
- Borderless 13 x 19 output from a compact design
- High optimized resolution for sharp detail
- Built-in scanner adds copy and scan
- Wi-Fi and mobile printing without a computer
- Six-color ink limits gamut versus professional models
- Cartridge ink means a higher per-print cost
- Slow at roughly 2.8 pages per minute
The Artisan 1430 has been a 13 x 19 workhorse for years, and with 881 reviews averaging 4.2 stars it is the most proven consumer wide format printer in this roundup. If you want borderless 13 x 19 prints, a built-in scanner, and wireless printing at a straightforward outlay, this is the one most people end up with.
Resolution is the headline spec at 5760 x 1440 optimized dpi, and the six-color Claria Hi-Definition ink set produces smooth gradations and a good color range. The flatbed scanner is a genuine asset for reproduction work, letting you scan an original drawing and print it at size without a separate scanner on the desk.
It is a small, tidy machine. At 27.8 inches wide and 35.3 pounds, it fits on a normal desk in a home studio, which none of the roll-fed printers in this roundup do. Wireless printing and mobile output mean you can produce a print from a phone when a client is standing in front of you.
Owners consistently like the borderless output and the scanner at this level of investment, and 68 percent of ratings are five stars. It is a straightforward photo and art printer for someone who prints regularly enough to want 13 x 19 but not enough to justify a professional pigment machine.
What the Artisan 1430 does well for artists
Proven reliability and simple ownership. This is a design that has been in production long enough that parts, advice, and troubleshooting knowledge are everywhere. For someone buying their first wide format printer, that ecosystem has real value compared with a machine that is newer and thinly reviewed.
The all-in-one design also means you can scan and print 13 x 19 from a single device, and the 50-sheet capacity suits a workflow of occasional large prints alongside normal 11 x 17 and letter work.
Where the Artisan 1430 falls short
Running cost is the main issue. Cartridge-based ink means a higher per-page cost and more frequent replacement, and for anyone printing large quantities of 13 x 19 art that adds up quickly. The six-color set also limits gamut and monochrome capability compared with the eight- and ten-ink professional models, which you will notice in deep blacks and saturated color.
Speed is slow at roughly 2.8 pages per minute, there is no automatic document feeder on this design, and borderless wide-format printing requires a manual feed with careful handling. If you plan to sell editions rather than give prints away, compare the running cost against the ET-15000 before you settle.
6. Epson EcoTank ET-8550: Best for the Lowest Ink Cost per Print
- Refillable tanks cut per-print cost dramatically
- Transparent tanks make ink level easy to monitor
- Dependable 13 x 19 paper handling
- Quiet operation with automatic output tray
- Dye inks are not archival-grade versus pigment machines
- Automatic paper tray selection is unreliable
- Initial setup is long
The ET-8550 shares the top spot for one reason: the ink math. Six colors in refillable tanks means the cost of a 13 x 19 print is among the lowest in this roundup, and the box is rated for up to 6200 color pages with as much as two years of ink included. For anyone printing in volume, that is the whole decision.
The six-color dye set is the key advantage over the four-ink ET-15000. It adds light cyan and light magenta, which produce noticeably smoother gradients and better skin tone rendering on glossy and specialty photo paper. Owners report excellent photo and art print quality on Epson premium glossy stock, and dye output at 13 x 19 for edition work is a defensible choice when cost is the constraint.
The transparent tanks are a small detail that changes daily behavior. You can see the ink level at a glance and top up at any time, so a print run never stops because a cartridge was about to run out. The 6 x 6 inch color LCD touch panel, dedicated 4 x 6 photo tray, and rear feed for glossy sheets make it easy to keep different media separate.
Wireless printing works reliably from phones and tablets, the flatbed scanner handles occasional copies, and the motorized output tray deploys on its own for quiet operation. It is a well-designed home machine for 13 x 19 output.
What the ET-8550 does well for artists
Ink economics and photo quality together. This is the printer to buy if you intend to print in quantity, because the six-color dye set gives you a real tonal range while the tank system keeps each print cheap. Artists and hobbyist photographers endorse it for exactly that combination, and the 68 percent five-star share reflects it.
Paper handling for 13 x 19 is dependable for a consumer tank machine, and the dedicated photo tray plus rear media feed means you can keep glossy and plain paper loaded at the same time.
Where the ET-8550 falls short
Dye inks are not archival-grade. If you are selling editions meant to be exhibited and collected for decades, pigment-based machines like the Canon imagePROGRAF models are the right tool, and this is the single most important limitation on this machine.
Two engineering quirks come up repeatedly. Automatic paper tray selection is unreliable and needs to be set manually, and a tray 1 spring weakness is a widespread fault that triggers false out-of-paper and jam errors, which owners work around with a simple spring swap. Initial setup is also long, with extensive packing to remove and alignment steps, and a minority of owners report dead print heads and ink spotting.
How to Choose a Wide Format Printer for Art Prints
Start with the size of the work you already make, not the size you might make someday. Art print printers are grouped by maximum media width, and the step between groups is not smooth. A machine that tops out at 13 x 19 cannot be upgraded into a 24 inch printer later, so the decision is structural.
Size class: 13×19, 17×22, 24×36 or 44 inches
Most home framing is built around 13 x 19 and 16 x 20 sizes, and 17 x 22 is the next step up. A 13 x 19 printer can produce 11 x 17 and 13 x 19 sheets, which covers standard gallery sizes and most standard mats and frames. If your largest piece fits inside 12 x 18 with a border, a 13 x 19 machine is enough.
Past 13 x 19, you enter roll territory. The Canon PRO-2100 prints to 24 inches wide, which is exactly the width of a 24 x 36 print and the point where most photographers say consumer machines stop being useful. Above that, the PRO-4100 handles 44 inches for banners, panoramas, and exhibition panels. Each jump brings a larger footprint, heavier media handling, and higher ink consumption per print.
Note the naming confusion that trips people up. A3+ is the European name for 13 x 19, and some manufacturers quote 16.5 inches for the same width. Check the maximum media size in inches, not the paper name, before you assume a machine reaches the size you want.
Pigment ink versus dye ink and what permanence means
Pigment ink is resin-based and sits on the surface of the paper, which is what makes it lightfast and archival. Dye ink is absorbed into the coating, which gives it brilliant color and lower cost but far less resistance to fading. Every pigment model here, including the Canon imagePROGRAF machines and the dye-based Epson tank printers, differs on this point in ways that matter for resale.
Read permanence claims carefully. Lightfastness ratings tell you how long a color holds under specific lighting conditions, and they are laboratory figures, not guarantees. If you sell prints, pigment is the defensible choice. If you print for yourself, for gifts, or for large edition runs you will replace, dye at tank-system cost is a reasonable trade.
Borderless printing and thick art paper
Borderless, or full-bleed, printing runs the image edge to edge with no margin. It is what makes a print look like a photograph rather than a document, and it is a top user question in this category. Among the six printers here, the Artisan 1430 and the Canon PRO-310 handle borderless 13 x 19 output well, and the two Canon roll printers extend that to 24 and 44 inches. The Epson tank models produce full-width images but lean on manual sheet loading for wide paper.
Thick art paper is the other hard requirement. Rag, watercolor, and canvas stocks in the 250 to 300 gsm range need a rear manual feed to feed reliably, and the PRO-310 and the ET-15000 are the two machines here with the handling to do it. Before buying, load the specific paper you use. Printers that jam on your stock are not a bargain at any price point.
Cartridge ink versus refillable tanks
This is where running cost is decided, and it is the first question people ask. Cartridge machines such as the Artisan 1430 and the Canon PRO-310 cost more per printed page, and the gap widens on large sheets because a 13 x 19 print consumes proportionally more ink. Refillable tank machines such as the ET-15000 and the ET-8550 move that cost to bottle refills and cut it dramatically.
Counterweight the cartridges with a caveat: fine art pigment sets are expensive per milliliter by design, and the ten- and eleven-ink configurations that deliver the widest gamut and deepest blacks cost more to refill than a six-ink tank set. The practical rule is simple. If you print large quantities and care more about cost per image, use tanks. If you print occasional gallery pieces and care about tonal accuracy, use pigment, and accept the refill cost.
Color management from screen to print
Matching a print to a screen is a workflow, not a setting. Calibrate your monitor, soft proof in your editing software with the correct paper profile, and print a test strip at three or four small sizes before committing to a full sheet. The PRO-4100 automates much of this with its integrated color density sensor, and the ET-8550 and ET-15000 give you no such help, which is fine if you are willing to profile your paper.
Also check whether the printer supports third-party paper profiles without manual configuration. That friction is one of the most common complaints about the PRO-310, and it is a real cost in time for anyone who wants to print on a specific rag or watercolor paper rather than the manufacturer’s own stock.
Frequently Asked Questions
What is a good quality printer for art prints?
A good quality art print printer is a pigment ink wide format model that prints at least 13 x 19 inches, handles paper around 250 to 300 gsm, and supports borderless output. Among the models here, the Canon imagePROGRAF PRO-310 and PRO-2100 give the finest pigment color, while the Epson Artisan 1430 delivers reliable 13 x 19 borderless prints with a built-in scanner.
What is the best printer for large art prints?
For 24 x 36 work, the Canon PRO-2100 is the strongest fit in this roundup because it prints 24 inch wide from a roll at up to 2400 x 1200 dpi with eleven inks plus a Chroma Optimizer. For exhibition scale and panoramic banners, the Canon imagePROGRAF PRO-4100 reaches 44 inches and adds an integrated color density sensor for consistent output.
What printers do artists use for prints?
Most working artists use a 13 x 19 pigment printer for editions and a 24 inch roll-fed machine for gallery pieces. The Epson EcoTank models are popular where ink cost per print matters, and the Canon imagePROGRAF models are preferred for fine art paper, black density, and color accuracy. Artists reproducing original work often add a flatbed scanner, which the Artisan 1430 and ET-8550 include.
Which giclee printer is best for artists?
A giclee printer is a pigment ink device built for archival fine art output. The Canon imagePROGRAF PRO-310 is the best 13 x 19 giclee option here, with nine pigment inks, a Chroma Optimizer, matte black for density, and a rear feed for heavy rag and watercolor paper. At larger sizes, the PRO-2100 covers 24 inches and the PRO-4100 covers 44.
Is a wide format printer worth it for art prints?
It is worth it once you print large sheets regularly enough that cartridge ink cost adds up, or when the size you work at exceeds what a home printer can reach. Occasional hobby printing is usually cheaper through a lab, and prints above 24 inches typically require commercial roll hardware. Judge the case on volume and on the largest size you actually make.
The Best Wide Format Printers for Art Prints, Final Word
Pick by size first, then by ink system, then by running cost. If your work fits inside 13 x 19 and you print in volume, the Epson EcoTank ET-15000 is the best overall wide format printer for art prints we found, with the ET-8550 close behind if you want six-color tone over document functions. If you need fine art pigment quality on heavy rag paper at that size, the Canon imagePROGRAF PRO-310 is the tool. Go bigger only when the work demands it, and then the PRO-2100 and PRO-4100 are the two to compare.
Whichever you choose, load your own paper before you commit, print a test strip, and calibrate from there. That step is what separates a print that matches your screen from one that does not, and no printer in any roundup can do it for you.